Ultramarine - A User's Guide (New Vinyl)
Fully remastered from the original DATs by Jason G at Transition Studios, the 2025 vinyl edition of A Userâs Guide thrusts Ultramarineâs most overlooked album back into the spotlight. This WRWTFWW edition also features brand new contextualizing sleeve notes, complete with new quotes on the production process from Ultramarine, by dance music historian Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music, and founder of online electronic music platform Jointhefuture.net).
Limited double LP housed in a heavyweight sleeve with inside out printing.
On the rare occasions that Ultramarineâs story is told, the duoâs fifth album, 1998âs A Userâs Guide, tends to get omitted from the narrative. Radically different to anything the duo released before or since, it has remained a slept-on, timeless and inherently futurist classic ever since.
Unavailable on vinyl since the year it was released â in part because the label it originally came out on, New Electronica, folded shortly afterwards â A Userâs Guide was the result of a conscious decision by Ultramarine members Paul Hammond and Ian Cooper to change their working methods and the âsound paletteâ that underpinned their work.
Out went the partially improvised hybrid electronic/acoustic sounds and the collaborations with guest musicians theyâd become famous for. They were replaced by painstakingly created electronic sounds and textures, metallic motifs, spaced-out chords, rhythms rooted in contemporary techno and drum & bass culture, and nods aplenty to pioneering music of the period, from the post-rock atmospherics of Tortoise, and the hazy dub techno of Basic Channel, to the tech-jazz of Detroit, the minimalism of Berlin, and the musically expansive warmth of Chicago deep house.
It may have taken a year to create â part of which was spent developing this head-spinning new sound â but the results were undeniably unearthly and effortlessly forward-thinking. Over a quarter of a century may have passed since it first appeared in record stores, but A Userâs Guide still sounds fresh and modern â a remarkable achievement given the relatively sparse and basic equipment used in the making of the album.
As this first vinyl reissue conclusively proves, the material showcased on A Userâs Guide has lost none of its sparkle in the 26 years that have passed since its release. For proof, check the head-nodding IDM bubbliness of opener âAll of a Suddenâ, the queasy, lopsided tech-jazz of âSucker For Youâ, the locked-in beats and mind-mangling motifs of âZombieâ, the ghostly, out-there electro of âAmbushâ, the Autechre-esque âGhost Routineâ and the triumphant closing cut âWhat Machines Wantâ, a classic of minimalistic, jazz-flecked techno futurism.
Original: $35.64
-65%$35.64
$12.47Ultramarine - A User's Guide (New Vinyl)
Fully remastered from the original DATs by Jason G at Transition Studios, the 2025 vinyl edition of A Userâs Guide thrusts Ultramarineâs most overlooked album back into the spotlight. This WRWTFWW edition also features brand new contextualizing sleeve notes, complete with new quotes on the production process from Ultramarine, by dance music historian Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music, and founder of online electronic music platform Jointhefuture.net).
Limited double LP housed in a heavyweight sleeve with inside out printing.
On the rare occasions that Ultramarineâs story is told, the duoâs fifth album, 1998âs A Userâs Guide, tends to get omitted from the narrative. Radically different to anything the duo released before or since, it has remained a slept-on, timeless and inherently futurist classic ever since.
Unavailable on vinyl since the year it was released â in part because the label it originally came out on, New Electronica, folded shortly afterwards â A Userâs Guide was the result of a conscious decision by Ultramarine members Paul Hammond and Ian Cooper to change their working methods and the âsound paletteâ that underpinned their work.
Out went the partially improvised hybrid electronic/acoustic sounds and the collaborations with guest musicians theyâd become famous for. They were replaced by painstakingly created electronic sounds and textures, metallic motifs, spaced-out chords, rhythms rooted in contemporary techno and drum & bass culture, and nods aplenty to pioneering music of the period, from the post-rock atmospherics of Tortoise, and the hazy dub techno of Basic Channel, to the tech-jazz of Detroit, the minimalism of Berlin, and the musically expansive warmth of Chicago deep house.
It may have taken a year to create â part of which was spent developing this head-spinning new sound â but the results were undeniably unearthly and effortlessly forward-thinking. Over a quarter of a century may have passed since it first appeared in record stores, but A Userâs Guide still sounds fresh and modern â a remarkable achievement given the relatively sparse and basic equipment used in the making of the album.
As this first vinyl reissue conclusively proves, the material showcased on A Userâs Guide has lost none of its sparkle in the 26 years that have passed since its release. For proof, check the head-nodding IDM bubbliness of opener âAll of a Suddenâ, the queasy, lopsided tech-jazz of âSucker For Youâ, the locked-in beats and mind-mangling motifs of âZombieâ, the ghostly, out-there electro of âAmbushâ, the Autechre-esque âGhost Routineâ and the triumphant closing cut âWhat Machines Wantâ, a classic of minimalistic, jazz-flecked techno futurism.
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Fully remastered from the original DATs by Jason G at Transition Studios, the 2025 vinyl edition of A Userâs Guide thrusts Ultramarineâs most overlooked album back into the spotlight. This WRWTFWW edition also features brand new contextualizing sleeve notes, complete with new quotes on the production process from Ultramarine, by dance music historian Matt Anniss (author of Join The Future: Bleep Techno and the Birth of British Bass Music, and founder of online electronic music platform Jointhefuture.net).
Limited double LP housed in a heavyweight sleeve with inside out printing.
On the rare occasions that Ultramarineâs story is told, the duoâs fifth album, 1998âs A Userâs Guide, tends to get omitted from the narrative. Radically different to anything the duo released before or since, it has remained a slept-on, timeless and inherently futurist classic ever since.
Unavailable on vinyl since the year it was released â in part because the label it originally came out on, New Electronica, folded shortly afterwards â A Userâs Guide was the result of a conscious decision by Ultramarine members Paul Hammond and Ian Cooper to change their working methods and the âsound paletteâ that underpinned their work.
Out went the partially improvised hybrid electronic/acoustic sounds and the collaborations with guest musicians theyâd become famous for. They were replaced by painstakingly created electronic sounds and textures, metallic motifs, spaced-out chords, rhythms rooted in contemporary techno and drum & bass culture, and nods aplenty to pioneering music of the period, from the post-rock atmospherics of Tortoise, and the hazy dub techno of Basic Channel, to the tech-jazz of Detroit, the minimalism of Berlin, and the musically expansive warmth of Chicago deep house.
It may have taken a year to create â part of which was spent developing this head-spinning new sound â but the results were undeniably unearthly and effortlessly forward-thinking. Over a quarter of a century may have passed since it first appeared in record stores, but A Userâs Guide still sounds fresh and modern â a remarkable achievement given the relatively sparse and basic equipment used in the making of the album.
As this first vinyl reissue conclusively proves, the material showcased on A Userâs Guide has lost none of its sparkle in the 26 years that have passed since its release. For proof, check the head-nodding IDM bubbliness of opener âAll of a Suddenâ, the queasy, lopsided tech-jazz of âSucker For Youâ, the locked-in beats and mind-mangling motifs of âZombieâ, the ghostly, out-there electro of âAmbushâ, the Autechre-esque âGhost Routineâ and the triumphant closing cut âWhat Machines Wantâ, a classic of minimalistic, jazz-flecked techno futurism.
